Charcoal Portrait Process on Gray Tone Paper

I wanted to do a blog on the process of me doing a charcoal portrait.  So I decided to draw a 3/4 view of a bearded man.  Before I started this drawing, I took a picture of the supplies.  In this picture starting at the top left hand side I used vine charcoal sticks, paper stump, generals black charcoal pencil, generals white charcoal pencil, Generals 4H, 2H, HB graphite Master's Touch 1.5 hog hair soft flat brush, ( I used to blend and brush off charcoal dust) chamois cloth, knead eraser and 18" metal ruler.

Step 1
 I used vine charcoal and 4H generals graphite pencil.  I started out with a horizontal line to establish the overall with.  Next I drew a vertical line in order to establish the overall height.  The lines intercept to form a axis.

Step 2
I'm only using vine charcoal now.  I drew out the horizontal dimensions for the hair line, brow line, nose line, and chin line.

 Step 3
I drew out the contour of the head without a curve line using vine charcoal.

Step 4
I used the metal ruler to draw out the angles.   I drew out the ear contour, hair line contour, beard contour and established the proportions and angle of the feature of the face.  Also I used vertical lines or plumb lines to show the proportions of the widths of eye socket.  You can start to see the planes beginning to form.

Step 5
I used the metal ruler to establish angle lines and plumb lines.  I did this to confirm the proportions of the eye width and width of the mouth.  If you notice I still have not used a curved line.

Step 6
I begin to slightly shade in the planes of the face using the generals 2H graphite pencil to shade in the side planes of the head nose.  I also used it to shade in the bottom plane of the eye socket the planes of the lips. At this stage there is minimum of tones only two.

Step 7
I continue to use vine charcoal and I begin to use my HB generals graphite pencil on and around the eyes.
I used chamois cloth to erase the angle lines.

Step 8
I continue to use vine charcoal and I darkened the value using a blending stump to push the charcoal into the tooth of the paper.  I also used the vine charcoal to create texture for the beard and develop the volume of hair.

Step 9
I also use the vine charcoal to develop the texture of the hair.  As you can see I used it to add more value to the neck.  I went on to add white charcoal to establish the highlights and 4B charcoal pencil for the beard and hair.

                       "The Bearded Man" done in graphite and charcoal on gray tone paper. © DWeaver Art                    

Mixed Media Abstract Painting Process

It has been a while since I posted any abstract art on my blog.  This is for all you who love abstract art painting like me. I don't know if I shared this with you all or not but I really enjoy painting in abstract. There is so much freedom and such an opportunity to be spontaneous when creating abstract that you can never mess up.  For all of those who has every seen abstract paintings before and if your response has been, "how is this art?"  "I just don't get it."  Perhaps you also said to yourself,  "That's just a bunch of paint all over the place."  Well guess what? You are not alone.  I must admit that I was one of you who said the same things until I got educated on the elements of design.
There are so many elements and principles of design which are also used in interior decoration, fashion, architecture and ect.  My abstracts most of the time deals with 3 to 4 colors that compliment one another on the color wheel with there tints and shades.
My goal in my abstract painting is to invoke an emotion through the use of colors which excite the eye or grabs your attention. Basically, expressing to the viewer of my abstracts what these colors has done to me emotionally.
 My other purpose in painting abstract is the create  emphasis with the use of texture.  I just love texture in my abstract paintings whether it is broken up color through splatter or the use of a palette knife and many other ways.  I hope you enjoy the piece which was produced last week.                                                                                                                                                                                                                                                                                                                                                                                      

This is my reference thumbnail drawing done in prismacolor pencil.  The colors I used was purple, gray, lavender the tint of purple, baby blue, and a light dark aqua green.  If you are familiar with the color wheel these are secondary and tertiary color with one neutral which is gray.  By doing a thumbnail drawing design at the beginning it gives you a preview of which it my look like before totally committing to the color and composition.  However, in this piece later I deviated from the original composition and altered it some.                                                                                                                                                                                                                                                                                                                                                                                                                                         

I used canson watercolor paper and used liquitex matte super heavy gel which goes on white and can be mixed with paint.  In this case I applied the gel medium onto the paper.  I don't know if you can see the pattern or compostion drawn out on the surface with a pencil before there was paint applied. The gel gives the surface texture.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       

Next I added a light amount of  watercolors to the surface and I continued to add more color to darken it. I could have went dark to began with, but instead when I work with watercolors I start out light in tones of color.  You can see where the pattern or composition is going.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              

I continue to add watercolors to the designated areas which was predetermined beforehand.  If you look closely you can see the texture coming through the colors.                                                                                                                                                                                                                                                                                                                                                                                                      

                                                                                                                                                                 

This is the final stage of the process as you can see there are colors that are broken up to produce more texture.  I added the same colors to the piece using only acrylic now.  I created my own stencil design out of watercolor paper which is stiff.  Your stencil has to be stiff enough to hold its pattern or design. I used a filbert bush and large round brush in the final stage.

Thank you all for taking the time to view my art blog.  If you are interested in my works of art please email me at deeweaver15@gmail.com.

SHAPE AND TEXTURE USED TO DIVIDE COMPOSITION

My Thoughts on "Splash"

I love creating abstract art.  It truly allows me to express my thoughts and ideas through the means of painting. This piece I entitled it "Splash" came from an inspiration to produce a design which uses shape to separate color with texture.  The blue depicts the water the gray the sky and the blocks of color represents a collection of buoies in aqua and yellow.  I purposely selected yellow in this piece to provide a redirection of the eye to move away the main focal point. Some of the materials I uesed was a palette knife and sable brush.  Also I used achieve the impesto appeareance for the blocks of color dividing the water from sky Liquitex matte super heavy gel.

Red and Black Celebration

Design Features of Red and Black Celebration Explained

Red and Black Celibration 11x14 abstract painting done on canvas board it is one of many abstract paintings that I have produced. I was inspired to paint this peice in order to have a red and black dominated abstract painting in my porfolio. I want to take the time to explain this piece to you. As you look at this painting there is rythym.  For those who do not know what rythym is it is defined in art as the repitition of forms and patterns. There is also texture in this work. There is some blending or mixing of the colors between the red and black.  The color white is used as an accent color. The white color in this peice is used to create focal points in the compositon to add movement. I used only a flat brush to begin the process and later change to a sable brush. I also used a sponge to create texture and to blend some. In addition, I applied painters tape to crop off the three areas texture. You can find these areas where the two black round circles are and one red rectangle spot about the size of tape. These areas have a beaded appearence to them it is because, they have a tactile feel to them. These textured areas have been raised up from the main surface of the canvas.