Watercolor Portrait and Process

Watercolor Portrait

Ever since I was very young in age, I have always had an interest in drawing portraits.  I have been drawing portraits for many years now.  However, it was not until last year that I did my very first watercolor portrait and the previous year I started working with watercolor media.  After a few pictures produced in watercolor from landscapes to still lifes, I wanted to test my skills in working in watercolor doing a portrait.  This is my third time in producing a watercolor portrait. 

Here are the colors used and mixed in the process.

The color were mixed with a liner brush and water.

The picture was drawn with a 4H pencil very lightly.

Lighter tones are layed down at the beginning.

Additional colors are added to the portrait.

Next other aspects of the portrait are added in with tones.

Hair is added to complete the portrait alone with signature and copyright.  

Thank you for coming to and viewing my blog.  If you have any questions or would like to contact me please contact me at deeweaver15@gmail.com. 

Charcoal and Graphite Still Life Drawing

Martini Glass and Vase Still Life

Step 1 Crop off paper with masking tape

Step 2 Take the side of charcoal stick and rub all over the surface of paper.

Step 3 Use a chamois cloth by rubbing the charcoal into the paper till you get a light gray tone.

Step 4 This step is optional. I used a homemade view finder which I made to capture the vertical, 

            horizontal and diagnal lines to gauge the proportions.

Step 5  I used a pencil to gauge the width and vertical of the still life objects. I fully extended my arm with a pencil in hand and then closing one eye.  Afterward transfer measurements on to paper.

Step 6  I began connecting the measured widths, verticals and angles of the still life using a H4 pencil.
         

Step 7 Next began to add tone texture and contrast using a vine charcoal stick. In this photo I was adding detail and laying out shadows in the background.  I also used a skewer to extend the short charcoal with masking tape.

Step 8 I used a charcoal pencil 4B to add darker values and defined the details.  I also used a blending stick as in the photo in my hand. I used it to rub the charcoal into the surface of the paper.

Final Results

Still Life Painting in Acylic

 Apple and Pitcher Still Life Painting

  

One Sunday afternoon this past summer I set up this still life of a apple and pitcher.  I had the purpose in mind to start do a painting of a still life.  I had been doing a few drawing of still lifes but this time I wanted to paint one instead.  When I set up most of my still lifes I use a dark back ground. I love the use of values and tones with the use of reflected light on the subjects.

Step 1 The Underpainting 

For the first step I began with a underpainting in a water down acrylic brown with a filbert brush.

I normally began with a drawing but in the case I chose not to. When I start my realistic paintings I use a filbert brush.  I just lay in the dark tones and block in the lighter values with a more watered down brown color.

Step 2 Adding Color 

Next I added color to the subject in the picture, this happened after I mixed the desired colors that were needed.  When I darken my colors I use blue or brown and sometimes I use black.  In this case, I took acylic red and darkened the tone with some blue.  When it came time for me to lighten the color I just used white.

Adding Color Continues

I repeated the same process with the blue sheet in the fact that I lighten with white and darkened it with black or brown.  I was still using the filbert brush during this stage of the painting.  However when it was time for me to paint the edges I used a flat brush and a liner brush to create a straight edge.

Finished Work

Landscape of Field in Soft Pastel

Landscape Field with Tree Line in Soft Pastel

I took a picture of a field and drew it out in charcoal and later I added soft pastel to it.  I used vine charcoal and charcoal pencil.  The size of the picture is 4x5 inches.

Landscape Oil Painting of Swamp

 Reference Photo of Swamp Landscape

I was out one weekend in April and took this photo because I was looking for more reference material for a painting. I like this photo because of the time of the day there is some contrast with the lights and darks in the image.  I also like it do to the altocumulus  cloud in the sky.

Step 1 Underpainting of Swamp done in acrylic paint

I used some masking tape to crop the picture so that I would have a nice clean edge although later I place a matted frame around the piece after it was completed.  By doing this it gives me a boundry for the dimensions for the inside dimensions of the matted frame.  I used brown acrylic paint to work in the underpainting.  Sometime I draw out the image like a rough sketch just to capture the subject matter to be painted.  The purpose for the underpainting is to provide a blueprint for where the tones and value are located, mainly dark values and light values. 

Step 2 Add color to underpainting  with oil paint for the sky and water.

Now at this stage I started to add the oil paint by mixing light blue and white.

Step 3 Continue to add oil paint to the picture but now to the trees and foreground

As you can see from the photo my work enviroment is quite crowded.  Most artist work from quite crowed conditions.  I normally paint from my easel, but on this occasion I wanted to paint from a table.  There are occassions in which I use a table.  I do some of my drawings from a table and I my watercolor paintings from a table. 

 Finished oil painting of the swamp

Here is the finished piece signed 5x7 in oil painting. 

Oil Painting of Spring Creek

Spring Creek Oil Painting Process

Reference Photo of Spring Creek

Charcoal Drawing of Spring Creek Step 1

Acrylic Underpainting Step 2

Adding Color to Underpainting  Final Step 3

Completed Painting of Spring Creek 14x14 cm

Landscape Painting of Red Barn and Storm Clouds

Approaching Storm

"Approaching Storm" is a painting that I'am pleased to share.  This painting depicts my intrest in storms and barns.  I really like storms and barns.  Partically, old run down barns.  However this painting shows a red barn in good condition. This is a painting I finished this past weekend. It took me a week to complete it.  Althought about 5hrs went into it.  "Approaching Storm" was done on an 18x24 inch canvas with acrylic paint.  I painted this from imagination something I really don't do. I usually go by a image. I had a lot of fun like most of my art work.  This painting is the only one I have this at this size.  I do plan on painting more at this size and larger.  I wanted to share with you my process in creating this peice. 

Sky and Clouds

I first drew in the barn mountains and tree.  This created my blueprint for what and where I need to paint. I started out with a flat brush with blue acrylic paint to create the sky.  I preped canvas with water by spraying water on it with a fine mist.  I applied the paint with a large 1 1/2 flat brush and went in a horizontal motion left to right to smoothly coat the canvas.  Next I mixed some blue, black, and white to create the clouds. I used a filbert brush to paint the tones and values of the clouds.

Base of the Cloud

Next I mixed more of the blue black and white to apply and blend in the darkness of the base of the cloud.  I still used a filbert brush to apply the paint mixture.  At this point you can see the contour of the horizon line of the mountains and the barn. 

Underpainting of Landscape

Well here I am. Next I used brown acrylic paint with a light wash to create the underpainting.  At this stage and with most underpaintings I just wanted to block in the dark tones and mid tones.  Now at this stage you can see the mountains the barn and the paths layed out.  Whenever I do an underpainting I alway use most water into my brown paint.  This is how it creates a very light tone. Usually I allow this to be the highlight tone in other paintings.

Adding Hue and Details to Landscape

Finally this is the last process picture showing most has been painted except barn being painted.

Whenever you do a landscape paint you always paint sky background to the fore ground.  I laid down the tones of color for the distant mountain.  The atmosphere away form the sun has a cool tint to it when the sun is out of object from a great distance.  This gives your painting depth (the illusion of distance) on a flat 2 dimensional surface.  I used a flat brush to paint the mountains. The furtherest mountain I used more blue and white in my mixture of green.  The mountains more upclose I used more green and this created a tonal contrast of the 2 mountains. Next I used my filbert brush to apply yellow paint to give the illusion of yellow flowers.  Next I used the same filbert brush and apply brown paint and darkened the paths in the meadow. Next I used a fan brush to paint in the peaks of grass.  I only applied green paint on the tip of the fan brush.  Next I used a small liner brush and created the trunk and branches of the tree.  Finally, I used my fan brush once again to apply different shades of green to my tree to create leaves. Note whenever you paint leave make sure you have a sense of light direction.  If your light is coming from the right then let your leaves be the brightest on the same side of the light source and vice versa.  I hope you like my painting "Approaching Storm". Please feel free to like, share, or comment on this blog. Thank you.