Monday, April 13, 2015

Landscape Painting of Red Barn and Storm Clouds

Approaching Storm



"Approaching Storm" is a painting that I'am pleased to share.  This painting depicts my intrest in storms and barns.  I really like storms and barns.  Partically, old run down barns.  However this painting shows a red barn in good condition. This is a painting I finished this past weekend. It took me a week to complete it.  Althought about 5hrs went into it.  "Approaching Storm" was done on an 18x24 inch canvas with acrylic paint.  I painted this from imagination something I really don't do. I usually go by a image. I had a lot of fun like most of my art work.  This painting is the only one I have this at this size.  I do plan on painting more at this size and larger.  I wanted to share with you my process in creating this peice. 




Sky and Clouds



I first drew in the barn mountains and tree.  This created my blueprint for what and where I need to paint. I started out with a flat brush with blue acrylic paint to create the sky.  I preped canvas with water by spraying water on it with a fine mist.  I applied the paint with a large 1 1/2 flat brush and went in a horizontal motion left to right to smoothly coat the canvas.  Next I mixed some blue, black, and white to create the clouds. I used a filbert brush to paint the tones and values of the clouds.


Base of the Cloud



Next I mixed more of the blue black and white to apply and blend in the darkness of the base of the cloud.  I still used a filbert brush to apply the paint mixture.  At this point you can see the contour of the horizon line of the mountains and the barn. 


Underpainting of Landscape



Well here I am. Next I used brown acrylic paint with a light wash to create the underpainting.  At this stage and with most underpaintings I just wanted to block in the dark tones and mid tones.  Now at this stage you can see the mountains the barn and the paths layed out.  Whenever I do an underpainting I alway use most water into my brown paint.  This is how it creates a very light tone. Usually I allow this to be the highlight tone in other paintings.



Adding Hue and Details to Landscape



Finally this is the last process picture showing most has been painted except barn being painted.
Whenever you do a landscape paint you always paint sky background to the fore ground.  I laid down the tones of color for the distant mountain.  The atmosphere away form the sun has a cool tint to it when the sun is out of object from a great distance.  This gives your painting depth (the illusion of distance) on a flat 2 dimensional surface.  I used a flat brush to paint the mountains. The furtherest mountain I used more blue and white in my mixture of green.  The mountains more upclose I used more green and this created a tonal contrast of the 2 mountains. Next I used my filbert brush to apply yellow paint to give the illusion of yellow flowers.  Next I used the same filbert brush and apply brown paint and darkened the paths in the meadow. Next I used a fan brush to paint in the peaks of grass.  I only applied green paint on the tip of the fan brush.  Next I used a small liner brush and created the trunk and branches of the tree.  Finally, I used my fan brush once again to apply different shades of green to my tree to create leaves. Note whenever you paint leave make sure you have a sense of light direction.  If your light is coming from the right then let your leaves be the brightest on the same side of the light source and vice versa.  I hope you like my painting "Approaching Storm". Please feel free to like, share, or comment on this blog. Thank you.





























Friday, April 3, 2015

Charcoal Drawing Process of Face Upclose


Charcoal Drawing of Hair and Wrinkled Skin


This drawing in charcoal was done to work on my portrait drawing skill in this media.  My goal was to learn how to create the illusion of wrinkles on paper.  As I worked on this drawing which was done in April of 2013 I developed my skill to work in charcoal better. As a result of this drawing, I gained an understanding of shading in charcoal. This drawing is 12 x 14 inches.  
This became the final stage in the drawing where I added hair and highlights around the iris of the eye. Now you notice the grey of the hair in his mustashe and eye brows.  The pupil and iris is now completed. 





At this stage I had continue to lay down more charcoal in the regions of the face where there was contrast in the earilier stage. Now this more tones in the shadow areas.  At this point there is no hair yet on the form. 





This is the earily stage of the drawing where charcoal was layed down in the regions of the face to develope form. You see the beginning stage of wrinkle lines around the eye brow. Pores was added on the nose.